01-01-2017, 10:41 AM
The problem with your scenario is the same with most that explore the ramifications of Adalind’s choices surrounding Kelly taking Diana. It requires Adalind to perceive the ‘good guy’ characters as you do.
Consider a scenario where you and your child are confronted by group of people you had a violent encounter with in the past. They tell you that they want to help you keep your child safe. The reality might be that they are sincere and fully intend to prevent a nefarious group that’s waiting around the corner from taking your child. But all you know for certain is that these people have no reason to help you or your child, and every reason to harm you. So you react with the information you know to be certain and run from them. Have you made a bad choice based on what you know at that moment?
But the gist of your thread seems to be about Diana’s role in S6 and whether Kelly taking Diana made a connection between Nick & Diana that will become evident in S6.
I think only time will tell what the writers have planned for Diana, but so far, I don’t see where any connection has been established between Nick & Diana, and any connection between Diana and Renard/Adalind is questionable at this point.
One might can infer that Diana wanted to go with Kelly because she had the power to stop it and didn’t. But she had the power to at least assist Kelly with Kenneth and chose not to. She was equally compliant with Juliette & Kenneth, and later with the King. She was equally compliant with Meisner, and later with the people at the safe house. The only examples I recall that might indicate what Diana was thinking, feeling, contemplating, whatever, is she asked about mommy when Kenneth took her and drew a picture of Adalind as a Hexenbiest at the safe house. There weren’t any drawings of Kelly, Nick, Meisner, whoever. If I remember correctly, Meisner looked at the drawing and said, this is gong to be a problem. I don’t know why he’d think the drawing was a problem unless he thought it expressed Diana’s need/intention to find Adalind.
Now that said, unless G&K make Diana an extremely evil, dangerous, uncontrollable demon so they can get away with Nick killing an entity who looks like a child, I think they will establish a connection between Nick & Diana, or at the very least, have Diana instantly like Nick whether there’s reason for her to or not.
Consider a scenario where you and your child are confronted by group of people you had a violent encounter with in the past. They tell you that they want to help you keep your child safe. The reality might be that they are sincere and fully intend to prevent a nefarious group that’s waiting around the corner from taking your child. But all you know for certain is that these people have no reason to help you or your child, and every reason to harm you. So you react with the information you know to be certain and run from them. Have you made a bad choice based on what you know at that moment?
But the gist of your thread seems to be about Diana’s role in S6 and whether Kelly taking Diana made a connection between Nick & Diana that will become evident in S6.
I think only time will tell what the writers have planned for Diana, but so far, I don’t see where any connection has been established between Nick & Diana, and any connection between Diana and Renard/Adalind is questionable at this point.
One might can infer that Diana wanted to go with Kelly because she had the power to stop it and didn’t. But she had the power to at least assist Kelly with Kenneth and chose not to. She was equally compliant with Juliette & Kenneth, and later with the King. She was equally compliant with Meisner, and later with the people at the safe house. The only examples I recall that might indicate what Diana was thinking, feeling, contemplating, whatever, is she asked about mommy when Kenneth took her and drew a picture of Adalind as a Hexenbiest at the safe house. There weren’t any drawings of Kelly, Nick, Meisner, whoever. If I remember correctly, Meisner looked at the drawing and said, this is gong to be a problem. I don’t know why he’d think the drawing was a problem unless he thought it expressed Diana’s need/intention to find Adalind.
Now that said, unless G&K make Diana an extremely evil, dangerous, uncontrollable demon so they can get away with Nick killing an entity who looks like a child, I think they will establish a connection between Nick & Diana, or at the very least, have Diana instantly like Nick whether there’s reason for her to or not.
"If my devils are to leave me, I am afraid my angels will take flight as well." Rainer Maria Rilke