(01-01-2019, 04:17 PM)syscrash Wrote:Quote:Not really. Kelly said she had a destiny for good or for evil and for some reason, because of this, suddenly she's the special hexenbiest. Yet for all her specialness, she manages to display for the most part, a completely lack of specialness.When Kelly brought Diana to the house, Diana was using magic. They all where amazed at her abilities. Adalind and Sean where amazed when Diana was able to kill without leaving the house. Even Bonapart was amazed at her abilities. If all the characters are amazed that would say what she was able to do was not normal, that makes her special.
Quote:Even in the epilogue, she's not shown as anything special. She's just a young woman who appears to be in a hurry.Diana never woges, even in the epilogue her eyes glow and the book closes. That is not the actions we have seen of any other hexenbiest. That alone makes her different.
Quote:When did Eve state that Diana was amazing?When Diana went into Eve mind. Eve then responded that it felt like a bolt of lightning.
Let's talk about the amazing golden snowflake.
Diana is sitting in the middle of a living room sporting a blank stare and doing nothing while Kelly was being beaten up and eventually murdered. Kelly, her "other mommy". Even people on the forum have questioned why the special child, "the one," didn't lift a finger to help Kelly.
How about the situation in the mansion? Diana resorts to voodoo dolls to get Adalind and Renard together. As "the one" does she sense some kind of feelings between them and so tries to make things right by helping them along? Nope. No one knows why she did what she did. It might be a childish whim, but one never knows with Diana. One thing's for sure. Her actions do not reflect those of an extraordinary person who only comes along once in a lifetime.
The murder of Rachel? Why? I suppose it could be considered spiteful, but in reality it seemed more pointless to me. Certainly not the actions of a special child.
Next, the murder of Bonaparte, which Diana conveniently pins on her father. A father she loves and has bonded with. Really? How does framing her father for murder support that this girl is "the one" of prophecy?
Even in the epilogue, she still shows herself to be nothing more than a killer who's able to close a book without touching it.
No one's arguing that she isn't a powerful hexenbiest. That was made evident from her birth. But, in order for this girl to be the stuff of prophecy, there has to be more to her than a bag of lethal tricks that results in a continuing desire to hurt and murder.
The best way to frustrate a cyberbully is to ignore him.